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I couldn't tell if the 2GB AMD Radeon HD 6970M in my 2011 iMac was helping or not, but nothing said it wasn't (Premiere no longer lists it as supported, but does in fact use it, albeit to less than impressive effect). The rogue tones sometimes look as though they've been legitimately pulled out of the original image, sometimes not. More noticeable is a tendency to hue-shift or desaturate a band of colours in the midrange. Like third-party equivalents, such as DxO ClearView, it evidently uses a process similar to Shadows/Highlights, but the halo artefacts that you have to watch out for with that filter are very well controlled. I tried Dehaze on several raw shots and found the results reasonably pleasing. You can actually grade video using Camera Raw within Photoshop, but I didn't try Dehaze this way, since any filter that uses frame-by-frame analysis risks flicker (hello, Auto Color), and because editing video in Photoshop is for hipsters.
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It's only available in the Camera Raw module (on the Effects tab), but it can be applied to JPEGs or other image files, via Filter | Camera Raw Filter, as well as to raw images on import.ĭehaze is also available in Lightroom, but not in Premiere, where it could be equally handy. When you break the rule of not shooting into the light, but not so dramatically that anything interesting happens, you get low contrast and a disappointing picture.